Anheuser-Busch, Custer's Last Stand, 1896, After Cassily Adams
Color Lithograph, 30 x 40 in. (76.2 x 101.6 cm)
With Original A&B Frame
Yaacov Gipstein Agam, American Flag with Colors, 1985
Color Lithograph, 14 1/2 x 9 in. (36.8 x 22.9 cm)
American Flag
Screenprint on Heavy Stock Accordion Folded
Placed in Acrylic Glass Display Case
Gabriel Argy-Rousseau, Courde (Gourd) Bowl, c. 1920s
Glass, 3 3/4 x 4 1/4 in. (9.5 x 10.8 cm)
John Baldessari, Studio, 1988
Color Lithograph and Screenprint, 25 1/2 x 34 in. (64.8 x 86.4 cm)
Printers Proof
Will Barnet, The Dream, 2002
Lithograph, 24 x 16 in. (61 x 40.6 cm)
Edition of 250
Will Barnett, Blue Bicycle, 1979
Color Lithograph, 26 x 25 1/2 in. (66 x 64.8 cm)
Leonard Baskin, Portrait, 1983
Color Lithograph, 10 x 7 in. (25.4 x 17.8 cm)
Edition 260
Peter Bazel, Urban Composition
Monotype, 8 3/4 x 11 3/4 in. (22.2 x 29.8 cm)
Edition 1/1
Joy Beckner, Three Faces of Guinevere, 2001
Bronze with Mahogany Base, 14 x 19 1/2 in. (35.6 x 49.5 cm)
Edition 4/20
Cecil Crosley Bell, Blind Peanut Vendor, 1958
Oil on Panel, 14 x 18 in. (35.6 x 45.7 cm)
Thomas Hart Benton, Back from the Fields, 1945
Lithograph, 12 7/8 x 9 3/16 in. (32.7 x 23.3 cm)
Illustrated: Fath, pg. 152, no. 66
"This is a Louisiana Scene. Cotton pickers returning home with the last bags picked" THB.
Thomas Hart Benton, Frisky Day, 1939
Lithograph, 12 1/16 x 7 13/16 in. (30.6 x 19.8 cm)
Illustrated: Fath, pg. 80, no. 30
"Young ever in the spring, South Missouri. Farm Country." THB
The lithograph was a study for a painting Frisky Daya which was made in 1940. The painting is in the collection of Mrs. W. Gates Llyod.
Thomas Hart Benton, Island Hay, 1945
Lithograph, 10 x 12 5/8 in. (25.4 x 32.1 cm)
Thomas Hart Benton, Loading Corn (Shucking Corn), 1945
Lithograph, 13 1/4 x 10 1/4 in. (33.7 x 26 cm)
llustrated: Fath pg. 150, no. 65
"Autumn in Missouri. To be seen on most mill farms. The problem with these subjects is no to find them, but to find them in a picotorally workable setting" THB
Thomas Hart Benton, White Calf, 1945
Lithograph, 10 5/8 x 13 1/4 in. (27 x 33.7 cm)
Edition 16/20
Illustrated: Fath, pg. 154, no. 67
"Henry Look of Chilmark, Martha's Vineyard milking his cow. Henry had a good deal selling his milk until some prying summer person found him sharing it in his snot filled handkerchief. Trade with Henry dropped off after that." THB
Oscar E Berninghaus, Winter Pasture
Oil on Canvas, 20 x 24 in. (50.8 x 61 cm)
George Caleb Bingham, Portrait of Jacob Fortney Wyan, 1835
Oil on Board, 26 x 22 in. (66 x 55.9 cm)
George Caleb Bingham, Portrait of Mrs. Jacob Fortney Wyan, 1835
Oil on Board, 26 x 22 in. (66 x 55.9 cm)
Charles Bragg, Doyle the Mohel
Lithograph, 6 x 6 in. (15.2 x 15.2 cm)
Edition 92/150
Christopher Brown, Against Order, 1993
Color Lithograph, 24 3/8 x 15 5/8 in. (61.9 x 39.7 cm)
Edition 29/40
George Elbert Burr, Home of the Winds, Co., 1930
Engraving, 5 1/2 x 7 in. (14 x 17.8 cm)
Alexander Calder, Les Trois Oeufs, 1974
Color Lithograph, 29 3/8 x 43 1/4 in. (74.6 x 109.9 cm)
Edition 8/75
Published by Maeght, Paris
Hand-Signed and numbered in pencil, lower margin
Published by Maeght, Paris
29 3/8 x 43 1/4 inches
Sheet Size: 29 3/8 x 43 1/4 inches
Alexander Calder, Spirals (Red & Blue)
Color Lithograph, 26 x 37 in. (66 x 94 cm)
Alexander Calder, Stabiles, Galerie Maeght
Poster, 31 x 22 in. (78.7 x 55.9 cm)
Exhibition Poster
Alexander Calder, The Triangles and Spirals, 1973
Color Lithograph, 26 x 19 1/4 in. (66 x 48.9 cm)
Edition 66/150
Fred Green Carpenter, Far Away Places, 1944
Oil on Canvas, 39 x 32 1/2 in. (99.1 x 82.5 cm)
Kathryn Cherry, Sunny Afternoon
Oil on Board, 25 x 30 in. (63.5 x 76.2 cm)
Dale Chihuly, Bozeman Blue Ikebana
Color Lithograph with Acrylic, 24 x 22 in. (61 x 55.9 cm)
Fred Conway, Caddy Yelling Fore
Plaster, 12 x 7 x 7 in. (30.5 x 17.8 x 17.8 cm)
Fred Conway, Gun Smith Shop, c. 1948
Watercolor, 18 x 24 in. (45.7 x 61 cm)
Angelo Corrubia, Country Side
Oil on Canvas, 14 x 18 in. (35.6 x 45.7 cm)
Rural Scene
Frank William Cuprien, Opalescent Evening, 1945
Oil on Canvas, 16 x 21 in. (40.6 x 53.3 cm)
John Steuart Curry, Wisconsin Twilight, 1934
Mixed Media, 29 x 36 1/2 in. (73.7 x 93 cm)
Mixed Media including Graphite, Charcoal, and Pastel on Wove Paper
The title "Wisconsin Twilight was found on a Percival Galleries sticker and is apparently the title by which the work was sold and purchased. When the gallery offered it through correspondence, it was referred to simply as "a Wisconsin landscape" done in 1934. Both the agrarian/rural subject and its handling are very typical of a great many sketches, drawings and studies for murals and paintings that currently circulate in the artist's market. As one of the three American "Regionalists" with a widespread reputation for his Associated American Artists-published lithographs, murals and magazine illustrations, Curry is still considered a very desirable and collectible artist.
Charles Harold Davis, Gray Brothers
Oil on Canvas, 30 x 24 in. (76.2 x 61 cm)
Dawson Dawson-Watson, Winter Landscape
Oil on Canvas, 28 x 38 in. (71.1 x 96.5 cm)
(Signed) Earle, Native American Boy with Yellow Bandana
Oil on Canvas, 15 1/4 x 17 in. (38.7 x 43.2 cm)
James Fairman, Dunblane Cathedral, Scotland, 1875
Oil on Canvas, 32 x 45 in. (81.3 x 114.3 cm)
Lloyd Foltz, House at Silverton
Woodblock Print, 7 3/4 x 9 3/4 in. (19.7 x 24.8 cm)
Sam Francis, Untitled, 1967
Color Lithograph, 17 x 22 in. (43.2 x 55.9 cm)
Helen Frankenthaler, Divertimento, 1983
Color Lithograph on HMP Waterleaf Handmade Paper, 31 1/2 x 21 1/3 in. (80 x 54.2 cm)
Inscribed Lower Left;
"B.A.T. for John; artist and printer"
"Wonderful combination!"
"Thank You, HF"
Bon a Tirer (B.A.T.): Bon á tirer (BAT). Bon á tirer means “good to pull.†This is the first perfect impression of the work and the one that will be used to judge all other impressions in the edition. The BAT indicates the artist’s authorization to proceed with the edition; it is signed or initialed by the artist. All further impressions are compared to the BAT for quality. Any impression deviating from the BAT is destroyed.
Edition of 39
Leon Schulman Gaspard, San Geronimo Days
Oil on Board, 18 x 23 in. (45.7 x 58.4 cm)
David Gilhooly, Frog Banana Split Sundae
Ceramic, 8 x 4 1/2 x 8 in. (20.3 x 11.4 x 20.3 cm)
Gustav Goetsch, Harbor at Evening Tide
Oil on Masonite, 14 x 18 in. (35.6 x 45.7 cm)
Gustav Goetsch, Minnesota River, 1916
Engraving, 5 3/4 x 7 3/4 in. (14.6 x 19.7 cm)
Gustav Goetsch, Onions and Knife
Oil on Masonite, 18 x 22 in. (45.7 x 55.9 cm)
Gustav Goetsch, White Smock Self Portrait, 1967
Oil on Masonite, 36 x 24 in. (91.4 x 61 cm)
Bob Grieves, In Sight of the Promised Land, 1996
Bronze, 13 x 17 x 32 in. (33 x 43.2 x 81.3 cm)
A.P.
Charles Heberer, An Elegant Afternoon, Paris, 1894
Oil on Canvas, 21 1/2 x 15 1/2 in. (54.6 x 39.4 cm)
Charles Heberer, Woman with Sheep in Field
Oil on Canvas, 16 x 13 in. (40.6 x 33 cm)
Gayle Porter Hoskins, Town Scene with Carriage
Oil on Canvas, 15 x 30 in. (38.1 x 76.2 cm)
Grisaille
Harry Andrew Jackson, Pony Express III
, 1977-1978
Bronze, 8 1/2 x 10 x 5 3/4 in. (21.6 x 25.4 x 14.6 cm)
Edition PEIII 53P
Polychrome Bronze
Margaret Keane, Best Friends (White Poodle)
Oil on Canvas, 22 1/2 x 8 in. (57.1 x 20.3 cm)
Margaret Keane, Girl on Steps in China Town
Oil on Canvas, 30 x 14 in. (76.2 x 35.6 cm)
Margaret Keane, Girl Seated on Steps with Black Poodle
Oil on Canvas, 30 x 24 in. (76.2 x 61 cm)
Sister Mary Corita Kent, Leo Baeck and a Spirit is Characterized
Color Lithograph, 21 1/2 x 21 1/2 in. (54.6 x 54.6 cm)
Sister Mary Corita Kent, Thoreau ""If A Man Does Not Keep Peace""
Color Lithograph, 22 1/2 x 22 1/2 in. (57.1 x 57.1 cm)
Hugh Kepets, Met Gates II
Aquatint with Color, 11 1/2 x 8 3/4 in. (29.2 x 22.2 cm)
Mable Kerr, Texas Landscape with Blue Bonnetts
Oil on Canvas, 24 x 36 in. (61 x 91.4 cm)
Constantin Kluge, Spring
Oil on Canvas, 29 1/2 x 36 1/2 in. (74.9 x 92.7 cm)
Landscape with Trees and Flowers
William Henry Dethlef Koerner, When Men Ride Free, 1932
Oil on Canvas, 30 x 40 in. (76.2 x 101.6 cm)
Carl Krafft, Twilight
Oil on Board, 16 x 21 in. (40.6 x 53.3 cm)
Night Scene of Women with Lanterns
Sydney Mortimer Laurence, Foothils of Mt. McKinley, Alaska
Oil on Canvas, 24 3/4 x 17 1/2 in. (62.9 x 44.5 cm)
John Lautermilch, Still Life with Pistol, 1961
Oil on Panel, 7 x 9 3/4 in. (17.8 x 24.8 cm)
Doris Lee, Vineyard Scene
Lithograph, 10 3/4 x 16 in. (27.3 x 40.6 cm)
With Love to Bea for Rich
George B. Marks, Preparing to Ride, Two Cowboys with Two Horses, 1972
Bronze, 14 x 8 1/2 x 11 1/2 in. (35.6 x 21.6 x 29.2 cm)
Peter Max, Andy Warhol with Moustache, 1988
Oil on Canvas, 72 x 60 in. (182.9 x 152.4 cm)
Peter Max, Better World Version I
Acrylic on Canvas, 24 x 9 3/4 in. (61 x 24.8 cm)
Peter Max, Cherry Blossom Near Washington Bridge
Acrylic on Canvas, 16 x 20 in. (40.6 x 50.8 cm)
Peter Max, Flag with Heart on Blends
Mixed Media, 16 1/4 x 12 in. (41.3 x 30.5 cm)
Peter Max, Liberty Head II
Mixed Media, 9 1/2 x 7 1/4 in. (24.1 x 18.4 cm)
Peter Max, New Moon Details
Acrylic on Canvas, 15 x 30 in. (38.1 x 76.2 cm)
Peter Max, Ship at Sea with Sunset, 1989
Pastel on Paper, 6 x 10 in. (15.2 x 25.4 cm)
Peter Max, Umbrella Man
Over-Painted Serigraph, 19 3/4 x 20 in. (50.2 x 50.8 cm)
Peter Max, Water Lilies
Acrylic on Canvas, 15 1/2 x 19 1/2 in. (39.4 x 49.5 cm)
Peter Max, Woodstock Series, Profile on B
Mixed Media, 9 x 7 in. (22.9 x 17.8 cm)
Joseph Rusling Meeker, Swamp Scene
Oil on Canvas, 21 x 36 in. (53.3 x 91.4 cm)
Unsigned
(After) Andrew Melrose, Yosemite Valley
Chromolithograph, 21 1/2 x 35 1/2 in. (54.6 x 90.2 cm)
Robert R. Millard, Nocturne on 18th, 1940-1941
Oil on Canvas, 49 x 33 in. (124.5 x 83.8 cm)
Robert R. Millard, Street Gathering Outside the Hotel, 1940-1941
Oil on Canvas, 50 x 38 in. (127 x 96.5 cm)
Andrew Millner, Brown Cottonwood, 2005
Lightjet Print Mounted on UV Plex, 87 x 44 in. (221 x 111.8 cm)
Marcel Mouly, Grandes Voiles
Color Lithograph, 19 1/2 x 26 1/2 in. (49.5 x 67.3 cm)
Leroy Neiman, American Gold (K.II.42) (Los Angeles Summer Olympics), 1984
Color Screenprint, 28 x 42 in. (71.1 x 106.7 cm)
Edition 181/600
Leroy Neiman, Bjorg-Connor, 1977
Aquatint Engraving, 13 3/4 x 21 3/4 in. (34.9 x 55.2 cm)
Edition 54/125
Leroy Neiman, Bjorn Borg
Serigraph, 23 1/2 x 17 in. (59.7 x 43.2 cm)
Edition 54/300
Leroy Neiman, Hammer Gallery Poster, 1974
Poster, 28 1/2 x 22 in. (72.4 x 55.9 cm)
Leroy Neiman, Resting Lion, 2008
Serigraph, 28 x 37 in. (71.1 x 94 cm)
Edition 47/385
Leroy Neiman, Resting Tiger, 2008
Serigraph, 28 x 37 in. (71.1 x 94 cm)
Artist Proof
Frank B Nuderscher, Church in Arcadia
Watercolor, 11 1/2 x 8 1/2 in. (29.2 x 21.6 cm)
Frank B Nuderscher, Grand Tetons
Oil on Canvasboard, 20 x 24 in. (50.8 x 61 cm)
Frank B Nuderscher, Slanting Meadows (Arcadia, MO)
Watercolor, 10 x 11 in. (25.4 x 27.9 cm)
Claes Oldenburg, Pickaxe (Spitzhacke) Superimposed on a Drawing of the Site by E.L. Grimm, 1982
Color Photogravure, Etching, and Spitbite Aquatint on Paper, 6 7/16 x 10 1/8 in. (16.4 x 25.7 cm)
Cat. Raisonne: Axsom 180
Published by: Documenta Foundation, Kassl, Germany; Multiples, NY
"Pick Axe Superimposed on a Drawing of the Site by E.L. Grimm" is Oldenburg's graphic interpretation of a site specific sculpture titled "Spitzhacke" (Pick Axe), which was commissioned the the city of Kassel, Germany for "Documenta 7" in 1982. The sculpture measures 36 ft. 9 in. x 44 ft. 6 in. x 3 ft. 8 in. "Documenta" is an international exhibition in Kassel that occurs every 5 years. The sculpture is now part of the city's collection of public works.
Emil Ludwig Grimm was the younger brother of Jacob and Willem Grimm, the famed "Brothers Grimm". He was an artist and illustrator. A drawing from 1822 by E.L. Grimm was discovered at the Bruder Grimm Museum in Kassel that depicted the location where the Oldenburg sculpture was to be installed. Virtually unchanged, the drawing was photogravured and used by Oldenburg to create this etching, published in conjuction with the debut of the sculpture.
The platemark of the image is only 6-1/2 x 10-1/8 inches but is printed on a large sheet of paper. The print is pencil signed, dated and numbered in the lower margin.
Joseph Orr, House with Rose Bush
Acrylic on Canvas, 20 x 24 in. (50.8 x 61 cm)
Joseph Orr, Lake Visitors
Acrylic on Canvas, 30 x 40 in. (76.2 x 101.6 cm)
Gordon Dale Phillips, The Holdup of the Overland Stagecoach
Pewter, 7 x 25 in. (17.8 x 63.5 cm)
Siegfried Gerhard Reinhardt, Art, Encyclopedia Britannica
Color Lithograph, 23 x 16 1/2 in. (58.4 x 41.9 cm)
Encylopedia Britannica, Set of 8
Siegfried Gerhard Reinhardt, Circle of Learning, Encyclopdia Brtiannica
Color Lithograph, 23 x 16 1/2 in. (58.4 x 41.9 cm)
Encylopedia Britannica, Set of 8
Siegfried Gerhard Reinhardt, History of Mankind, Encyclopedia Britannica
Color Lithograph, 23 x 16 1/2 in. (58.4 x 41.9 cm)
Encylopedia Britannica, Set of 8
Siegfried Gerhard Reinhardt, Industry, Encyclopedia Britannica
Color Lithograph, 23 x 16 1/2 in. (58.4 x 41.9 cm)
Siegfried Gerhard Reinhardt, Life on Earth, Encyclopedia Britannica
Color Lithograph, 23 x 16 1/2 in. (58.4 x 41.9 cm)
Encylopedia Britannica, Set of 8
Siegfried Gerhard Reinhardt, Matter and Energy, Encyclopedia Britannica
Color Lithograph, 23 x 16 1/2 in. (58.4 x 41.9 cm)
Encylopedia Britannica, Set of 8
Siegfried Gerhard Reinhardt, Religion, Encyclopedia Britannica
Color Lithograph, 23 x 16 1/2 in. (58.4 x 41.9 cm)
Encylopedia Britannica, Set of 8
Siegfried Gerhard Reinhardt, Sounds, 1966
Oil on Panel, 48 x 36 in. (121.9 x 91.4 cm)
Siegfried Gerhard Reinhardt, Technology, Encylopedia Britannica
Color Lithograph, 23 x 16 1/2 in. (58.4 x 41.9 cm)
Encylopedia Britannica, Set of 8
Bridget Riley, Elapse, 1982
Color Lithograph, 40 x 25 in. (101.6 x 63.5 cm)
Bridget Riley (b. 1931)
Elapse
screenprint in colours, 1982, on watermarked BFK Rives paper, signed, titled and dated in pencil, from the unnumbered (as issued) edition of 260, published by the Print Club of Cleveland, with their blindstamp, the full sheet, in good condition, framed
Norman Percevel Rockwell, Autumn
Black and White Lithograph, 13 1/2 x 13 in. (34.3 x 33 cm)
From Suite of the Four Seasons
Norman Percevel Rockwell, Barbershop Quartet
Black and White Lithograph, 27 x 22 in. (68.6 x 55.9 cm)
Edition 182/200
Norman Percevel Rockwell, Can't Wait, 1972
Color Lithograph, 14 x 11 in. (35.6 x 27.9 cm)
Edition 186/200
Norman Rockwell (1894 to 1978) Can't Wait, 1972 Calendar Illustration for the Boy Scouts of America for Brown & Bigelow Co. 1972 Media print lithograph on paper
This limited edition offset print is an image rendered by Norman Rockwell entitled Can't Wait for the Boys Scouts of America. The print was used for the Boy Scouts of America 1972 calendar illustration. This print is a depiction of a Cub Scout trying on a very large Boy Scout uniform anticipating wearing one someday. The print has rich vibrant colors with a white border in pristine condition and has not been conserved. An outstanding features of this print is in Norman Rockwell's eye for detail that engages the viewer. The print measures 14 X 11 inches and is hand signed by Norman Rockwell at the bottom in permanent marker.
In 1924, Rockwell began painting what would become a half-century of calendar images for the Boys Scouts of America. Each of these featured a scouting-themed painting using models from his successive home towns of New Rochelle, New York, Arlington, Vermont, and Stockbridge, Massachusetts. The yearly calendar was published by Brown & Bigelow, one of the nation's largest calendar publishers, today the Boys Scouts of America own a sizable portion of the fifty-two calendar scenes which Rockwell painted.
Norman Percevel Rockwell, Spring
Black and White Lithograph, 13 1/2 x 13 in. (34.3 x 33 cm)
Edition 95/200
Suite of the Four Seasons
Norman Percevel Rockwell, Summer
Black and White Lithograph, 13 1/2 x 13 in. (34.3 x 33 cm)
Suite of the Four Seasons
Norman Percevel Rockwell, Two Lady Janitors Seated Looking at a Playbill
Color Lithograph, 25 x 20 in. (63.5 x 50.8 cm)
Edition 160/200
Norman Percevel Rockwell, Winter
Black and White Lithograph, 13 1/2 x 13 in. (34.3 x 33 cm)
Suite of the Four Seasons
Birger Sandzen, Three Cedars, 1923
Lithograph, 16 x 22 in. (40.6 x 55.9 cm)
Bill Schenk, My Summer Vacation, 1984
Color Lithograph, 33 x 23 1/2 in. (83.8 x 59.7 cm)
Edition 28/59
"My Summer Vacation 28/59" Lower Right
Signed and Dated Lower Left
Nicki Starnie, AKI NO YUQU, 1986
Aquatint on Handmade Paper, 17 x 23 1/2 in. (43.2 x 59.7 cm)
John Stobart, Laclede's Landing
Print, 16 1/2 x 12 in. (41.9 x 30.5 cm)
Edition 187/350
Donald Sultan, One of Diamond and Thirteen of Diamonds, 1990
Color Engraving, 11 1/2 x 8 in. (29.2 x 20.3 cm)
Set of Two
Frederick Oakes Sylvester, Lake Como Landscape
Oil on Canvas, 15 1/2 x 19 1/4 in. (39.4 x 48.9 cm)
Peter Takal, Trees in Landscape
Black and White Lithograph, 10 x 15 3/4 in. (25.4 x 40 cm)
Tiffany & Co., Morning Glory Paperweight Vase
Glass, 5 x 4 1/2 in. (12.7 x 11.4 cm)
Mark Tobey, Pensees Germinales, 1973
Drypoint Engraving, 9 3/8 x 5 3/4 in. (23.8 x 14.6 cm)
Jack Tworkov, T.L. #6, 1978
Black and White Lithograph, 16 1/2 x 22 1/2 in. (41.9 x 57.1 cm)
Edition 103/250
Jack Tworkov, T.L. #7, 1978
Color Lithograph, 24 x 23 1/2 in. (61 x 59.7 cm)
Edition 86/125
Joseph Vorst, Going to the Baptism (Two African American Figures in White Walking on Pathway in Field), 1952
Oil on Canvas, 24 x 18 in. (61 x 45.7 cm)
Hubert Wackermann, Dakota Sioux Campfire
Oil on Canvas, 20 x 30 in. (50.8 x 76.2 cm)
Carl Gustave Waldeck, The Little Village Church, 1911
Oil on Panel, 6 1/2 x 8 1/4 in. (16.5 x 21 cm)
William Aiken Walker, Portrait of a Man with Pipe, 1854
Oil on Canvas, 18 x 10 in. (45.7 x 25.4 cm)
William Aiken Walker, Portrait of a Woman with Basket, 1854
Oil on Canvas, 18 x 10 in. (45.7 x 25.4 cm)
Andy Warhol, Queen Margrethe II of Denmark (FS II.344) (from Reigning Queens), 1985
Screenprint on Lenox Museum Board, 39 1/2 x 31 1/2 in. (100.3 x 80 cm)
Edition 25/40
Harry Weber, Tearing the Braids, 1989
Bronze, 17 x 18 1/2 x 8 1/2 in. (43.2 x 47 x 21.6 cm)
Edition 15/30
Stokely Webster, Paris Street Scene (Rue Duroc)
Oil on Canvas, 25 x 21 in. (63.5 x 53.3 cm)
Provenance: The Eric Galleries, Inc., New York, New York
Tom Wesselmann, Seascape (Foot), 1967
Formed Resin, 14 x 13 in. (35.6 x 33 cm)
Edition 92/101
Screenprinted Vacuum-Formed Plexiglas Multiple in Colors Mounted to a Card Support
Grant Wood, Tree Planting Group, 1937
Lithograph, 8 1/2 x 11 in. (21.6 x 27.9 cm)
Edition of 250
Andrew Wyeth, Upland Country, 1939
Watercolor on Paper, 21 1/2 x 29 1/4 in. (54.6 x 74.3 cm)
Owen Gallery